Featuring a roundtable discussion with local members of the Queer, Trans, Black, Indigenous, and People of Color community
Everything Everywhere All At Once, Moonlight, Fire Island, The Watermelon Woman, Rafiki, A Fantastic Woman, Paris Is Burning, Tangerine, and Drunktown’s Finest. What do all of these films represent? They’re fundamental elements in the rise of queer and transgender cinema across the Queer, Trans, Black, Indigenous, and People of Color spectrum. What began as primal shouts to define existence have become beloved favorites, box office blockbusters, and critically acclaimed arthouse darlings for people often omitted from the silver screen. Join the Black, Bold & Brilliant team as they proudly explore the depths and global significance of QTBIPOC cinema at this year’s Damn These Heels Queer Film Festival.
An Austrian woman escapes from the pressure of running her family’s vineyard by playing ice hockey. Then a new player arrives to challenge her rigid worldview, leading to a life-changing night on the streets of Vienna.
Gordon is a Scottish comic book artist with a big bushy beard, very expressive eyebrows – oh, and an inoperable, incurable brain tumour. By making autobiographical comics about his experience, he is able to communicate his thoughts and reactions to cancer in a medium and a language that is disarming, accessible, and inviting.
Raphi is young, androgynous, and naive. In Barcelona, she begins a gender transition as well as an arduous journey to find her true identity. Co-written by and starring Raphaëlle Pérez, this is the narrative follow-up to director Adrián Silvestre’s ground-breaking hybrid doc Sediments, featuring many of the same trans performers and artists.
Multi-hyphenate, multidisciplinary artist Saul Williams brings his unique dynamism to this Afrofuturist vision, a sci-fi punk musical that’s a visually wondrous amalgamation of themes, ideas, and songs. Co-directed with the Rwandan-born artist and cinematographer Anisia Uzeyman, the film takes place in the hilltops of Burundi, where a group of escaped coltan miners form an anti-colonialist computer hacker collective.
Peter is a flamboyant, misanthropic dwarf hiding from the world in his shabby New York City apartment. But an unexpected visit from his upbeat—and possibly unhinged—neighbor Winona forces him out of his shell and onto an impromptu road trip. Their destination? What she believes to be the site of an upcoming alien visitation in the wilderness of rural Canada
Park View explores a case that has been shrouded in mystery, revealing the life of one woman, and the religious, legal, and media responses to the aftermath of her death. Park View will lead the viewer on a journey of understanding, from a horrific murder in a coastal Southern town, to the validation of our common humanity.
In this colorful trip back in time, activist, artist, filmmaker, and entertainer Pat Rocco shares his incredible career spanning decades, encompassing nude male erotic films and documentaries that bore witness to crucial moments in queer history, including the first same-sex kiss on the big screen.
With influences ranging from John Waters to Kenneth Anger, director Amanda Kramer (Ladyworld) brings a bold vision to this almost-musical. Its hypnotic score, impressionistic, neon-lit sets, and carefully choreographed sequences evoke West Side Story. A pastiche of queer sensibilities, Hollywood genres, and feminist theory, Please Baby Please is the sort of rich, cinematic experience that you have to see to fully appreciate.
POOFTA: An offensive term used to vilify gay men. When a harmless encounter leads to a tense confrontation, a trailblazer for the LGBTIAQ+ community tries to intervene. Homophobia, internalized homophobia, anxiety & fear play out in post gay marriage Australia.
A celebration of the art and the actors of Cabaret Travesía Travesti, which had its last performance as the 2019 Chilean uprising began. Amnesia, filmmaker and last remaining artist in the company, embarks on a cinematic journey providing an unfiltered look at Chile’s drag scene, without shying away from the ugly underbelly of artistic falling out in a tightly knit marginalized community.
In a rural east-coast trailer park, Link lives with his toxic father and younger half-brother Travis. When Link discovers his Mi’kmaw mother could still be alive, it lights a flame and they make a run for a better life.